“They say that I'm stubborn, and my wife says that, too, but it's paid off so far.”
Sugar Ray Leonard
Creative people can or
cannot be asses just like anyone else. The
rule here is about being stubborn as a mule since innovation, in part, is about a kind of mulish
brilliance, a slog through the mire that can often be mistaken for
plodding.
Maybe a daintier way of saying this is that stubbornness is next to goodliness.
Maybe a daintier way of saying this is that stubbornness is next to goodliness.
Successful
authors know all about this but it is hidden from view because we only tend to hear
about the outcomes. For example, Lord of the Flies by William Golding was
rejected 20 times before it was published.
Yet Golding ruled like a mule and never gave up. Gone
with the Wind by Margaret Mitchell was rejected 38 times and Carrie by Stephen King 30 times. You have to ask yourself…what made them try it the second time, let alone the 30th
time? Egomania perhaps or
compulsion. Or just plain mulish rule.
Thomas Alva Edison’s famous
quote is that invention is 1% inspiration and 99% perspiration. He would know with his 1093 patents. But even Edison said that his greatest
invention was not the phonograph or the movie projector but his own laboratory,
the working environment he designed.
This was the place were he and his staff plugged away at problems day
after day. It was an invention factory,
a stable of mules working, chipping away at solutions.
Like the light bulb, for
example.
Edison knew that electricity
could cause a filament in a vacuum to glow and not burn out. That would be a nice basis for a steady light
and the search was on for the best material to use. Edison was practical so he did not chemically
evaluate potential materials or look at atomic structures. Instead he and his staff stubbornly tested
over a thousand materials – one by one – for months until he hit on one that
worked. It turned out to be a piece of
carbonized thread.
The Edison lab never
developed a theory about how materials burn, never got a grand understanding of
how or why. But in the end, after being
stubborn about it, they had a light bulb.
Tycho Brahe was another smart mule.
A Dutch astronomer in the 16th century, Brahe is best known
nowadays for his nose famously bitten off in a barroom brawl. He wore a bronze replacement and that alone
should earn our respect. But Brahe was
not only metal-nosed, he was also pig-headed.
He spent his entire life carefully and meticulously measuring the
location of the planets. Night after
night he climbed to his telescope and wrote down numbers. He could barely have known what use they
would be except for a general insight that measurement itself – systematic
notation – would be handy in the new science that was emerging.
Brahe did nothing with his findings during his lifetime. But 40 years after his death, Johannes Kepler
studied the notations and measurements and used them to establish the
elliptical orbits of the planets.
Brahe's measurements and Kepler's use of them led to the revolution about
planetary movement that was crystallized by Copernicus.
Brahe’s work created a foundation – the measurements, the data – that became
the basis for the breakthrough. Creativity,
after all, is rarely the individual work of isolated talents but instead a
social event involving collaboration, duplication, refutation, reinvention, and
cross-pollination. Brahe was muling as
he chipped away at his little section of it.
That is how stubbornness – which is not always such a pretty talent – gets
tossed into our Ingenarium along with our other ingredients. It is the skill that forces us to push on, to
pay attention to the details, and to not give up. No small contribution.
So be a mule and get
things done; whether you are also an ass is completely up to you.
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