“The prerequisite of originality is the art of forgetting, at the proper moment, what we know.”
Arthur Koestler
Memory may very well be the most studied talent of the brain. And for good reason. A good memory is obviously essential in life
and for certain aspects of the creative process. You cannot interpret a cantata if you cannot
remember the notes or dance expressively if the steps keep slipping from your
mind.
A good memory can, of course, be innate. Arturo Toscanini apparently had a vast memory
of all the notes played by every instrument for every symphony he ever
conducted. Nice ability! There are savants who remember numbers,
dates, even every single detail of every day of their lives. But how helpful all that is for anything
other than showmanship is another question.
In Funes the Memorious, Jorge
Luis Borges wrote of a young man who remembered every detail of everything he
ever encountered. It was a grand skill
that, in the end, seemed to lead nowhere outside of the intricacies of his own
isolated mind.
Thousands of books have been dedicated to helping improve memory based
on various theories of how the brain works.
Joseph Jacobs, a 19th century psychologist, first explored the notion
that memory space consists of roughly seven “things”. A thing, in this sense, is a cohesive unit
with meaning… letter, number, word, image. If you can pack a bunch of items into seven
memories, you have a better chance of recalling them.
The Russian psychologist A. R Luria, studied a professional mnemonist
called “S” who would associate each word on a list with an imaginary walk down
a street in Moscow that he knew well. In
retracing his imaginary path, he would stop at each house and visualize the
word inside. Plato used this technique
to keep track of the topics of his lengthy lectures; his school of philosophy
was called Peripatetic, from the Greek word for “wandering.”
The familiar trick of turning lists into word sequences has been used
by every schoolkid. Every Good Boy Does
Fine for the notes of the musical staff.
Lazy French Tarts Lie Naked In Anticipation for the nerves that pass
through the superior orbital foramen of the skull…lacrimal, frontal, trochlear,
lateral, nasociliary, internal, abducens. King Philips Class Ordered a Family of Gentle
Spaniels recalls categories of taxonomy…kingdom, phylum, class, order, family,
genus, species. HOMES triggers the names
of the Great Lakes just as ROYGBIV does for the colors of the spectrum.
On a broader scale, storytelling – connecting ideas into a narrative –
is another method for retaining information.
It is the way we recall our own experiences and is demonstrated by our
amazing ability to retain and retell complex plotlines from movies, books, and
TV shows…far more details than we might be able to dredge up if we were
studying a list for a test.
Yet
when you delve into it, memory is not all it is cracked up to be in the world
of creative innovation. In many ways a
good memory ties us to what already exists but to come to new conclusions and
presumptions, we must forget aspects of what we already know. To innovate you have to forget what you know
to be true and imagine a world not yet the case.
This suggests a complex dance between what is retained and
what is rejected…sometimes it means forgetting all you know about the details
in order to get to the big picture, as Einstein had to do to revolutionize
physics. Sometimes it means forgetting
the big picture in order to discover new details, as Darwin did when he
revolutionized science.
An effective memory, and any tricks and tools we can come up
with to enhance it, has to be part of our Ingenarium. But so does practical forgetting. Not dementia but a kind of constructive
forgetting. An ability, in other words,
to erase anything that clogs our creative arteries and holds us back. Forgetability, a memory eraser, is the other
side of the coin and just as crucial to innovation.
Of course if it could also wipe out bad memories, a memory
cleaner would not only be a good addition to the Ingenarium…it would make a
fortune.
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