“The only difference between a rut and a grave is the
depth.”
Folk Wisdom
Folk Wisdom
One of the biggest stumbling blocks to creativity is routine,
being stuck in a mental rut. Same
habits, same influences, same old blah blah.
It leads to what the computer programmers used to call GIGO...garbage
in, garbage out. Pointless routines that
lead to useless programs.
The same is true in the world of creative efforts but for
most of us in this age of all-encompassing data, the garbage in question is rigid
patterns of information. The risk in our
time is being overwhelmed by repetitive input, which becomes numbing. Like watching endless reruns of the same TV
show, the information available to us can be entertaining but not inspiring. We can be stuffed without being sated. Redundant information is comforting but it is
rarely a boost to innovation.
Creative thinking, on the other hand, tends to thrive on the
new, the different, the unexpected. The
tid that does not quite fit the bit. In
this sense, all information is not equal but assessing the value of our input is
not easy. In a world swamped by canned
data, it is hard to break out of patterns and see new possibilities. To counteract this tendency, most innovators
become data brats – infornographers – who are always poking their noses where
they shouldn't. They have to do this to
get out of mental ruts. They know, or
intuitively sense, that injections of the unusual can wreck those cozy neural pathways
and force our brains to make new connections.
This is one of the reasons to study new things – another
language or a new instrument, for example – because going out of our
information comfort zones forces our complacent synapses to start reforming.
When I first wrote this, I accidentally typed the phrase
“explose yourself to new data.” Not a
bad mistake. Exposing does in fact explode
the norm and open the way to new discoveries.
One nice thing about “explosing” yourself is that it is easy to do. You don't have to scour the world for it,
unless you enjoy world scouring. Plenty
of creative work has been done within a narrow, routine lifestyle. Immanuel Kant, the philosopher, never left his
small town of Konigsberg; neighbors said they could set their watches by his
routines. But Kant’s creative work was
not to be found in his daily habits or his travels; it was in his thinking and
writing informed by reading everything, especially the philosophers he most
disliked.
A good way to approach this habit is by exploring what you
don’t get, can’t fathom, or vehemently disagree with. This relies on an appetite for discomfort well
known by explorers and stand-up comics but if you don’t have that innately, you
can force yourself to do it. Make an
effort to explose yourself to the unusual, the unfamiliar, even the
uncomfortable. New news. Stuff that shakes you up and challenges your
assumptions.
This is more difficult than it sounds in a world in which we
are inundated with packaged information.
Through TV, movies, and the web, we are mostly passive recipients of
pre-planned edutainment. Fascinating
stuff and some of it inspiring, but overall it can easily become a rut of slick
commercial forms and formats. For
creative work to work, we need to get out of these ruts by delving into new,
even unusual and offbeat, input. New
news, crackpot websites, kooky zines, unfamiliar images and texts, alien
cultures, unfamiliar pasts. Stuff that
shakes us up and out of the standard patterns of information processing and
allows the brain to go hog-wild now and again.
That is why parents who want to foster creativity in their
kids make sure to have rich and varied stimuli around not just TV and video
games, plus materials for actually making as opposed to simply using
things. With this in mind we can be
fostering parents for ourselves as adults.
It is not always pleasant to indulge in the uncomfortable but
it can be enlightening and push us in new directions. It is that habit of explosing, of actively seeking
out the unfamiliar, that goes into our Ingenarium.
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